My Favorite Albums of the Decade

As the decade comes to a close and I reflect on the music that served as the soundtrack to the last 10 years of my life, I’m struck by the fact that so much of the music I enjoyed over the past decade are from bands that made their mark mostly in the 21st century. Of course, I still listen to artists from the 20th century and once in a while one of these artists made their way into my rotation with a newer offering, but for the most part the list of favorites from below are from “newer” artists.

I blogged about the common refrain I hear from people my age that “there’s no good music anymore” last summer and offered up a tribute to many of the modern acts that I love — most of which are not surprisingly reflected in the list below. What I can say in all honesty is that the artists that made my favorite list for the past decade are now among my favorite artists, artists that in every way bring me musical joy as much or in some cases even more than the artists I grew up with. I still love listening to the music of my younger years — and do so all the time — but more often than not I queue up the artists below these days.

First, a few honorable mentions from the decade that spanned 2010 to 2019:

  • More Than Just a Dream — Fitz and the Tantrums (2013). Lots of folks like the debut record earlier, but their sophomore album really got me moving.
  • The King is Dead by The Decemberists (2011). Colin Meloy’s vocals plus REM’s Peter Buck on guitar — who could ask for anything more.
  • AM — Arctic Monkeys (2013). Do I Wanna Know? was my ringtone for half the decade.
  • Codes & Keys — Death Cab For Cutie (2011). A solid record from one of my favorite bands.
  • My Head is an Animal — Of Monsters and Men (2012). Breakout debut from Icelandic alt rockers.
  • Hozier — Hozier (2014). The best debut of the decade.
  • Momentum — Jamie Cullum (2013). He really should be much more popular in the U.S., but this Brit can really sing and play piano.

And in order, my favorite albums of the decade:

10. Masseduction – St. Vincent (2017). I’ve always liked Annie Clark, but this album set me on fire for a few months in 2017. It was alternative, soul, and electronic all rolled into one and I couldn’t get enough of it. She made the rounds on the late night shows and combined these incredible songs with a little performance art and I fell in love. Here she is performing my favorite song from the album, Los Ageless, on the Ellen Show.

9. High Violet — The National (2010). Boxer was one of my favorite albums of the first decade of the century, so it was a happy surprise that their follow up was so good. High Violet was a huge international hit right off the bat, and Bloodbuzz Ohio really helped the band blow up. It’s still one of my favorite songs by The National, a band I rate as among the best of the entire century. Still not sure what the hell Bloodbuzz Ohio is about but Matt could sing nursery rhymes and I’d listen and weep.

8. Bankrupt! — Phoenix (2013). French pop band Phoenix seems like an odd fit for me, but their sound really makes me happy and there’s a certain 80s feel to their music that reminds me of my youth. Bankrupt! was the follow up to 2009’s Wolfgang Amadeus Phoenix which launched a bunch of alternative hits. But Bankrupt! shows some maturity in their sound as they weren’t afraid to slow things down a bit on a few tracks. Still, I love the upbeat ones like Trying to Be Cool.

7. Reflektor — Arcade Fire (2013). I wasn’t quite sure what to make of this album when it was first released, followed by a very strange 30 minute TV special directed by Spike Jonze and featuring Bono, Michael Cera, Ben Stiller and others. But the more I listened the more it impressed me and by the time I saw them live later in the year I was entranced by this artsy album with Haitian influences and lyrics tied to the 1959 film Black Orpheus (which I actually saw in film class in high school in 1984) and Søren Kierkegaard. Take a look at yourself and you’ll see two sides. Meanwhile, enjoy this video montage directed by Roman Coppola featuring three songs from the album.

6. Babel — Mumford and Sons (2012). I loved the Mumfords debut album but this second record hit it out of the park for me. It took the best of their folksy sound from the first record and added some pop and polish and it truly jumps off the charts. Perhaps they wore out their welcome in the mainstream too quickly with their Appalachian sound and hipster waistcoats, but I love them and Babel for me is their best record. Lover of the Light is a prime example of their unique sound.

5. Lonely Avenue — Ben Folds/Nick Hornby (2010). What do you get when you ask award-winning author Nick Hornby to write song lyrics for the first time in his life and then you put those lyrics to the piano-driven goodness that defines Ben Folds? You get Lonely Avenue, complete with songs about Bristol Palin’s white trash boyfriend, handicapped songwriter Doc Pomus, a guy hacking into his girlfriend’s computer, and an obscure American Poet with a catchy name. I love Ben Folds and Nick Hornby is one of my favorite authors. This was always going to be great. As for that obscure poet, here’s a crazy good fan-made video tribute to the song Saskia Hamilton.

4. El Camino by The Black Keys (2011). 2010’s Brothers may have broke the band big, but for my money El Camino is the true gem of the bands work this decade. And what a decade it was by the way, with not just the above two albums but also Turn Blue and Let’s Rock which each scored high on my year-end blog posts. The Keys were at the top of their game when they released El Camino in 2011 with huge hit songs like Lonely Boy and Gold on the Ceiling, but my favorite track — and my favorite Keys song period — is Little Black Submarines which is often compared to a Led Zeppelin song and certainly echoes 70s hard rock and shows off Dan and Patrick’s full range.

3. Broken Bells — Broken Bells (2010). Early in 2010 the unlikely partnership of lead singer James Mercer of The Shins and super-producer Danger Mouse (Brian Burton) gave us the innovative alternative band Broken Bells. The album garnered a Grammy nomination for best alternative album and several songs including The Ghost Inside and The High Road were ubiquitous on alt radio that year. I saw them in concert in 2010 and Mercer was tremendous live and the backing band (including Burton on keyboards) was studio perfect. I never stopped listening to Broken Bells over the decade and count The Mall & Misery as one of my favorite songs of the decade (this video was shot by a fan at a secret live set in a parking garage at SXSW).

2. What a Terrible World, What a Beautiful World — The Decemberists (2015). I don’t think there’s a better songwriter in modern music than Colin Meloy and this record is all the proof you need. Here Colin laments about how life in America in this decade is a dichotomy of love and hate, beauty and horror. Sandy Hook was on his mind when he wrote the songs, and the album is powerful and lovely. The Decemberists have grown over the past 20 years from folk-forward art music to polished rock music and both the aforementioned The King is Dead from 2011 and this record were perhaps the two best back-to-back offerings of the decade. I loved them both, but What a Terrible World, What a Beautiful World is simply genius. For a small taste of the highs and lows of this record take a listen to my two favorite tracks, the beautifully melancholy Lake Song to the upbeat, reflective love song that is Make You Better. Damn this is beautiful music.

And my favorite album of the 2010s (and it wasn’t even close):

The Suburbs — Arcade Fire (2010). The music moment of the decade for me took place on Feb. 13, 2011 when Arcade Fire shocked the pop music world by beating out a handful of the world’s biggest artists including Lady Gaga, Eminem, Katy Perry, and Lady Antebellum to win the Grammy for Album of the Year, and then closed the show with a rousing rendition of Ready to Start. I literally jumped out of my seat when the award was announced, and I don’t think I’ve come down since. Award presenter Barbara Streisand was so dumbfounded she barely got the words out. The Suburbs was unquestionably the soundtrack of the decade for me and I am confident no other album in my collection received more airtime over the past 10 years. It never lets me down. It is my go-to record when I can’t decide what to listen to. It is alternative rock majesty from start to finish. It was only the band’s third studio album but it made a statement that they were a force to be reckoned with in alternative rock. The Butler brothers used their Woodlands, Texas suburban upbringing to write songs that fit the mood of suburban life and the music that influenced them (from Depeche Mode to Neil Young according to Win Butler). It has strings and horns and keyboards and guitars and it speaks softly at times and it rocks out at times. It feels like a rock opera, but it’s really just that each song feeds off the next. In a world where songs are king, it is a complete album. The Suburbs was named the top album of the year by a wide range of review sites from BBC6 to Clash magazine to Q magazine, but I’m not suggesting it was the best album of that year or the 2010s. It was simply my favorite album of the decade.

My Favorite Albums of 2016

I’m not sure what happened to 2016. In the annals of bad years, 2016 will go down in infamy. We lost Prince and Bowie. We lost Muhammad Ali and Gordie Howe. Gene Wilder and Alan Rickman. Harper Lee and Pat Conroy. Garry Shandling and Garry Marshall. And then we elected Donald J. Trump to the most powerful job in the world. 2016 pretty much sucked (and it’s not quite over yet).

So why should I be surprised that for the first time in decades of compiling my favorite albums of the year I struggled to find 10 albums to make the list? For whatever reason, most of my favorite artists didn’t release new albums this year. And while we did get one magical farewell album from one of the greatest of all time, this year’s lot (for me anyway) would make Ziggy Stardust catch the first rocket back to from wherever he came.

That said, all is not lost. I’m pleased to report I did manage to find 10 albums that I liked enough to make a list this year. I’m tempted not to put them in any order, but like they say, no guts no glory. So here goes:

10. Sturgill Simpson —  A Sailor’s Guide to Earth. Has hell frozen over? Is that, dear lord, a country album in a Len Gutman top 10 list? I’ll be the first to admit I had no idea who Sturgill Simpson was until his incredible cover of Nirvana’s In Bloom started making the rounds on the Interwebs. The song gives me goosebumps every time I hear it and I knew I had to listen to the whole album when it came out. Admittedly, Simpson is not your typical twangy pop country crap — he is described as alt country or outlaw country. Whatever you call it, the man has chops and can write a song.  A Sailor’s Guide to Earth is a really soulful album that was inspired by his young son. Frankly, any album that features the Dap Kings is alright in my book.

9. Band of Horses — Why are you OK? It’s been six years since Infinite Arms made my top 10 list and truthfully I haven’t listened to much BOH since then. Something made me listen to this year’s Why are you OK? and I’m really happy I did. This Seattle band known for its Americana sound is definitely worth exploring, like this Casual Party.

8. Kaiser Chiefs — Stay Together. I didn’t know much about Leeds, UK band Kaiser Chiefs until I listened to Stay Together and I have to say they fall right in my sweet spot. I really love 80s inspired bands like Franz Ferdinand, Phoenix and The Kooks and Kaiser Chiefs fits the mold. I am definitely going back to listen to some of their older records to hear what I’ve been missing. In the meantime, check out Parachute from Stay Together.

7. Fitz and the Tantrums —Fitz and the Tantrums. The self-titled third album from Fitz and the Tantrums is another great dance album filled with that unmistakable Fitz sound. I make no apologies for loving these guys and while I certainly didn’t like this album as much as the band’s first two I did enjoy it. I was also fortunate to see them live this year for the fourth time in the past few years and you’re simply not going to find a more enjoyable live concert experience. Bring your dancing shoes and don’t forget to clap your hands to the beat.

6. Red Hot Chili Peppers — The Getaway. The Chili Peppers’ first album came out in 1984, the year I graduated from high school. I have to admit that over the years I’ve had a love/hate relationship with them. I didn’t like them early on, although here and there a song caught my attention. It wasn’t until 2002’s By The Way that I was really hooked, and I played that album over and over for years. By the time Stadium Arcadium came out in 2006; however, I’d cooled on them and that’s the way it stayed until the first time I heard Dark Necessities this summer. Oh man, that song stuck in my ear and when the full album was released I was a Chili Peppers fan again! Credit goes to Brian Burton (AKA Danger Mouse), who produced The Getaway, and put his unmistakable stamp on it. Damn, that guy knows how to make an album.

5. Bob Mould — Patch the Sky. You’ve got to appreciate a guy who finds his sound early on and sticks with it. When you hear Bob Mould there’s no mistaking it. Whether you first found him back in the 80s with Hüsker Dü or in the 90s with Sugar, I venture to guess that if you’re a Mould fan you like it all — as I do. So it really wasn’t a huge surprise when Patch the Sky came out in March and it was vintage Mould. If you are a fan and haven’t heard it yet I urge you to give it a listen and start with Voices in my Head. If you’re not a fan, you probably weren’t alive in the 80s!

4. The Temper Trap — Thick as Thieves. If you listened to music in 2009 you undoubtedly heard The Temper Trap’s huge hit Sweet Disposition, which went Gold in the U.S. and Platinum in the U.K. and the band’s home of Australia. But like me, you may have thought they were a one-hit wonder. Yes, they’ve been going strong down under since then, but Thick as Thieves should really put them back on the map around the world. The Temper Trap has a great sound that is one part modern and another part 80s throwback. I’ve listened to this record a lot since it came out this summer and it is solid all the way through, including this great track Fall Together.

3. Dawes — We’re All Gonna Die. Rarely does a band place back-to-back records on my favorite albums list, but this year following on the heels of 2015’s wonderful All Your Favorite Bands comes We’re All Gonna Die. I just love their sound, which has been described as having a Laurel Canyon vibe. Dawes is the kind of band that’s perfect for listening to while sitting on your patio on a warm day with a cold beer. Like I said last year, Dawes is an unabashed throwback to the likes of Fleetwood Mac, Joni Mitchell and Jackson Brown. Kick back and just Roll with the Punches.

2. Kings of Leon — Walls. I couldn’t get enough of KoL during the Only by the Night and Come Around Sundown years, but I cooled on the Followill boys in 2013 when Mechanical Bull came out. I liked it, but I didn’t love it, and in truth they were pretty overexposed there for a while. So my expectations were low when Walls came out this autumn, and maybe that’s what did it for me. Walls is KoL’s best album since 2008’s Only by the Night and since it just came out a few week’s ago I expect it will get even more ingrained in my head as time goes on. All due respect to the top album on my list this year (it deserves all the accolades it gets), Walls is really my favorite record of 2016. Take a listen to Waste a Moment and tell me I’m not right!

1. David Bowie — Blackstar. What can you say about Blackstar that hasn’t already been written? For Bowie fans it was a surprise farewell album that upon his death just a few days after its release left us stunned and in awe of the man’s genius. Who else but Bowie could have written an album about his own impending death with such grace and style. Blackstar is dark and moody, but the message is clear — his time was up. I challenge anyone not to get chills watching the video for Lazarus. Ironically, I had been listening to a lot of Bowie in the months prior to his death and I was critical of myself for not having dived deeper into the man’s discography earlier in my life. That changed in the weeks following his death as I listened to Bowie nonstop and will continue to do so until my own star is extinguished. I suspect Blackstar will take home plenty of Grammy Awards and will go down in history as the best swan song ever written. I’m not going to argue it wasn’t the best album of an otherwise mediocre year.

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Len’s Top Albums of 2013

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As we come to the end of another year it’s time once again for a totally biased list of my favorite albums of the year. A few things of note this year: One, it appears disco is making a comeback. I think this is actually pretty cool, though I admit I did get awful tired of Daft Punk’s “Get Lucky” this summer. Two, Pearl Jam has easily become the 90s band with the most staying power, continually making very solid rock and roll albums (kiss my ass Nirvana). And three, the “Mumford” sound continued to drive good music in 2013 with great songs and albums by bands like The Lumineers, Dawes, The Avett Brothers and The Head and the Heart. All that said, here are the ten albums that I enjoyed the most this year, and if you like you can watch the videos for my favorite song from each album on a YouTube playlist I created.

  • Bad Blood — Bastille
    The debut album from this London-based band knocks it out of the park. Bastille is part of a new wave of bands that bring modern sounds together with a touch of the alternative 80s, and for my money these guys are the best of the bunch. I first saw them this summer on TV performing live at the Isle of Wight Festival and the crowd went nuts when they came out…it sort of reminded me in a small way of when U2 performed at Live Aid. I liked what I heard that day and the album is solid top to bottom. Bastille reminds me of a couple of exceptional 80s bands — Simple Minds and Big Country. Take a listen to Pompeii and decide for yourself.
  • Stories Don’t End — Dawes
    Dawes came on the scene a couple of years ago and I’ve really warmed to their sound. At first I wrote them off as Avett Brothers/Mumford clones, but in fact their sound is much less folk and much more 70s Los Angeles. Their sound has been called “Laurel Canyon” and I suppose that’s fair, but what’s wrong with being compared to the Eagles and Fleetwood Mac? Stories Don’t End is a great album — my favorite song is From a Window Seat.
  • Trouble Will Find Me — The National
    This Brooklyn band has been a staple on my “best of” lists over the past few years and for good reason. The National has carved out a unique sound amongst a wave of similar-sounding bands. You can have your One Republics, your fun, your Vampire Weekends. I’ll take the dark and gorgeous sound of Matt Berninger’s baritone. Trouble Will Find Me is another solid effort and remember, Don’t Swallow the Cap.
  • Lightning Bolt — Pearl Jam
    When I heard the first release from the new Pearl Jam album I wasn’t sure I liked it, which is odd for me as I love PJ, but one thing you can always count on with PJ is that they make complete albums and after a few listens I quickly became a fan of Lightning Bolt. It’s definitely harder rocking than 2009s Backspacer, which I LOVE, but Lightning Bolt is solid top to bottom. All things considered, PJ has secured its spot as the best and most consistent band from the 90s grunge era. Sirens is the best track on the new album in my humble opinion. Classic PJ.
  • Mechanical Bull — Kings of Leon
    KoL is a throwback. They consistently rock and seem to tour non stop. You know what you’re going to get with the Followill guys and if you like their sound you will love Mechanical Bull. I’m a fan and believe they are the best pure rock and roll band in America right now. 2008s Only By the Night was a breakthrough album and one of the biggest successes of the decade, and they followed it up with 2010s solid Come Around Sundown. I think Mechanical Bull is better than Come Around Sundown! So many great songs on Mechanical Bull, but my favorite is probably Temple.
  • Reflektor — Arcade Fire
    Surely no album had as much anticipation this year as Reflektor given the enormous critical success of The Suburbs in 2010. It was my favorite album that year and won the Grammy for best album as well. It has found a place on my all-time favorites list. A tough act to follow indeed, and while Reflektor is excellent it is not The Suburbs. Reflektor is, however, a beautiful concept album of Caribbean rhythms and mythological messaging. Leave it to Arcade Fire to produce an album that loosely tells the story of Eurydice with some voodoo thrown in. Reflektor is an album best listened to in its entirety. Sure there are some singles (like Reflektor) that will be hits and already are, but it flows together so well. Grab some headphones and a free hour or so and settle in.
  • Momentum — Jamie Cullum
    I’ve been singing the praises for Jamie Cullum for many years and his albums always seem to find their way onto my top 10 lists because they are so listenable. I continue to be surprised that Jamie is not a huge star in America like he is in the U.K. Dude even married a supermodel and still gets no love in the U.S. Well, America’s loss. Momentum is pure jazz/pop genius. If you don’t know Jamie Cullum you are missing out, and Momentum is a great place to start. Check out his beautiful cover of Pure Imagination or the synth happy Everything You Didn’t Do, which has one of the coolest videos ever.
  • More Than Just a Dream — Fitz and the Tantrums
    When Fitz and the Tantrums exploded on the scene in 2010 with Picking up the Pieces they could easily have been a one album wonder. Yes, the sound was a throwback and the look was pure 80s, and you’d be hard-pressed to find a better song in 2010 than L.O.V. or Moneygrabber. But this year Fitz returned with the disco infused More Than Just a Dream and it’s even better than the first album. I was fortunate enough to see the band perform in Del Mar earlier this year and they brought down the house. Amazing sound and such a fun live band. 6 a.m. was my favorite song of the summer.
  • Right Thoughts Right Words Right Action — Franz Ferdinand
    Any fan of 80s music has to like Franz Ferdinand! If you loved their first three albums as I did, four years was way too long to wait for this year’s Right Thoughts. But it was worth the wait…another 80s and disco infused album of great songs from beginning to end. Right Thoughts set the tone and came with one of the best videos in a long while. The album has been a mainstay on my playlist since its release this summer. It’s hard to have a unique sound while simultaneously harkening back to the 80s and even 70s disco but Franz Ferdinand pulls it off like no other.
  • Bankrupt! — Phoenix
    No album got more plays for me this year than Bankrupt! and in fact I’m still listening to it a ton. The French band’s first album since 2009’s breakout smash Wolfgang Amadeus Phoenix (one of my favorite albums of the 2000s) is a slight departure from that album’s pure synth-pop goodness, but it’s fantastic in its own right. Bankrupt! topped several charts this year and for a while this summer Phoenix was everywhere. The first release, Entertainment, took over the airwaves in April when it came out and a few months later Trying to be Cool was equally ubiquitous. My only disappointment this year was that Phoenix cancelled its concert in La Jolla in October and I didn’t get a chance to see them live. Maybe they’ll tour again in 2014.

Len’s Top Albums of 2012

Len’s Top Albums of 2011