Amandla Stenberg as Starr Carter
The Hate U Give is based on the young adult novel by Angie Thomas and it’s perhaps because the story was originally targeted to a young audience that the film version feels a bit like an after-school special. Don’t get me wrong, the message is important for kids and adults, and the film does a very good job of exploring several key race-related issues — but as an adult with what I think is a fairly good understanding of these issues there wasn’t much new here for me and as a result the lessons feel somewhat preachy and the plot felt predictable.
I’m not in any way trying to minimize the black lives matter movement, just simply suggesting that the plot of the film didn’t strike me as powerful the way, say, a Spike Lee or John Singleton film might have handled the subject matter. Of course, as I said, the target audience is young adult so it was perhaps not as raw or emotional as an adult-focused film might have been.
Regardless, there are certainly some great lessons in the film about black lives matter, police brutality, race relations, black-on-black crime, the drug war, teen relationships and several more. In fact, George Tillman Jr squeezed a lot into two hours. The events in the film felt real, from the white/black relationships at the predominantly white school to the community response to police violence against an unarmed black teen. The story was clearly ripped from the headlines and anytime film is used to shine a light on injustice it’s good for the art form.
The plot was indeed predictable, from the shooting to the reaction by both the white and black community. Of course, if you watch the news at all and know what’s going on in the black community in America specifically as it concerns police brutality the plot would be predictable. I think, though, what was not cliche was the depth of the characters, specifically teen protagonist Starr Carter and her father Maverick Carter. Starr, in particular, was a compelling protagonist because she was literally caught between the two worlds of her privileged white school and her crime-ridden home life in the ghetto. This dichotomy pulled at her and her response to the violent act that the film centers around was quite complicated and it evolved as the plot thickened. Her father was also a well-developed character who came up in the violence-infested drug culture and even served jail time, but who used that experience to try to raise his kids to end the cycle of violence and to empower them as black Americans. Maverick Carter was doing more than the best he could for his family given their circumstances, and in fact, tried hard to educate his kids while supporting his community rather than abandoning it. He is quite a noble figure and it should be no surprise that Starr, in particular, was such a thoughtful and mature young woman.
And then there are the performances in the film. The story may have felt like a made for TV movie, but the acting was first rate. Russell Hornsby (Maverick) was tremendous as the fiery patriarch of the extended Carter family and I won’t be surprised to see him rewarded come award season. Hornsby has done a lot of TV and a few films, but I couldn’t place him while I was watching the movie.
Which leads me to the overwhelming star of this film, Starr herself, 20-year-old Amandla Stenberg. Best known for her work as young Rue in the first Hunger Games film, Stenberg’s performance as Starr was breathtaking. She showcased all of her emotional talents in the film, from the highest of highs to the lowest of lows. Whenever she was on the screen, she lit it up with pure charisma. Stenberg brought so much emotion and depth to her character that she has undoubtedly proven she is a tremendous actor and will be a force in the future. I am not alone in declaring Stenberg the next Hollywood “it” girl as I suspect she is on her way to becoming a huge star (pun intended) and we should expect numerous accolades and awards down the road — if not right away for this performance. I wanted to see this film specifically after I read an interview with her in Vanity Fair recently. She is intelligent, beautiful, and quintessentially Generation Z (post-Millennial). She has already set herself apart as a young actress, but she’s also a political activist and LGBTQ advocate who has already been named “Feminist of the Year” (2015) by the Ms. Foundation for Women. She recently reported that she had stopped using a smartphone due to its effects on mental health. The term “woke” may have been invented for her!
In summary, a nice film with a powerful message and incredible performances. I would have loved it if it were a touch less predictable. Or maybe I was just uncomfortable that white people in the film were called out for trying to appropriate the black lives matter movement! Like I said, complicated issues all around and good food for thought.
Bacigalupi’s vision is dark. In the novel, the powers that be in Southern Nevada and California do whatever it takes to keep their communities from drying up. They protect the water with troops and drones. They protect their borders. They make deals with shady characters from cartels to the Chinese. They cheat and steal. They kill. They ruthlessly cut off water from one community to save another. People a lot smarter than I believe future wars will be fought not over oil, but over water.
One of the reasons I joined a book club earlier this year was because I tend to read the same kinds of books (literary fiction or science/social/political narrative nonfiction) and I thought it would be great to open myself up to new books. While I certainly haven’t loved or even liked some of the books chosen by my peers, it’s always a good idea to open your mind. This month my book club read Educated: A Memoir and frankly I never would have read this book had it not been selected by a member of my book club. And that would have been a shame because this was a wonderful memoir.
Days of Speed & Slow Time Mondays 