Psycho is the third of four Alfred Hitchcock films on the AFI Top 100 list, joining North By Northwest (No. 55), Rear Window (No. 48) and Vertigo (No. 9). I am certainly a Hitchcock fan, but I’m not as huge fan of Psycho. I’d seen it before and watching it again yesterday it felt a little dated and suffers from something that a lot of the films in this list suffer from — its reputation is better than the film itself. This has been a common theme for me on this journey. Films that are supposed to be American classics or “great” turn out to be dull, dated or flat-out bad. Psycho is a good film, but it’s not worthy of being #14 on this list and in my humble opinion it’s not even among Hitchcock’s best.
I think Psycho definitely has a place in film history, being perhaps the first successful and critically well received “horror” films. And it definitely deserves credit for its disturbing matricide theme and Anthony Perkins’ terrific portrayal of Norman Bates. Perkins set the standard for the “psycho” character and he plays it so quietly and internally that it will live on as one of the best film characters ever created. Unfortunately for Perkins he was never able to move beyond Norman Bates and the typecast despite clearly being a promising young actor. That being said, I suppose most actors would be thrilled to leave a legacy like Norman Bates.
But in terms of entertainment I really wasn’t that impressed. I am a huge fan of North By Northwest and To Catch a Thief. Vertigo and Rear Window are just ok for me, but I can definitely say I liked all of those films more than Psycho. That being said, you have to give Hitchcock credit for the creation of Norman Bates and for giving us the shower scene, which had people across the world afraid to get wet for years and has been stolen in tribute on many occasions. Few film fans will ever forget those two legacies.
I also have a bone to pick with the ending. The film should have ended with Bates’ arrest. Instead, Hitchcock takes us to the police station where the psychiatrist comes out of his interview with Bates and then tells us the whole story of how Bates ended up the way he did. The whole scene isn’t needed. It was patronizing to have someone explain the plot to us at the end — we got it without the narrative. He killed his mother and brought her back to life through his psychosis and related actions. I like it better when the film goer is left to explore the themes on his or her own following a film. Makes for great after film dinner conversations!
Next: Star Wars