AFI #48: Rear Window

The second Alfred Hitchcock film so far on the AFI Top 100, Rear Window stars Jimmy Stewart as a professional photographer who is laid up with a broken leg with nothing to do but spy on his neighbors out his window. When he thinks his a neighbor has killed his wife he tries to put together the story along with his girlfriend, his nurse and a detective friend. The result is really less of a suspense film and more of a commentary on society.

In terms of suspense the film is a little slow and not nearly as action packed as other Hitchcock films like Psycho, North By Northwest or The Birds. But I enjoyed it for its statement about human nature. Stewart’s character Jeff watches over his neighborhood and judges each neighbor. There is “Miss Lonelyhearts” who dines with imaginary friends, and the songwriter who struggles with his art but throws parties with lots of people. There are the newlyweds and of course “Miss Torso” who dances around in her underwear and appears to have many men chasing after her. But of course Jeff becomes obsessed with the salesman, Mr. Thorwald, who slaves over his ill wife until one strange night she seems to have disappeared. Jeff watches Thorwald’s strange behavior and rushes to the judgement that he has killed his wife.

Frankly I’m not sure why Rear Window is considered a great film by so many, including the AFI. Aside from the interesting characters in the apartment complex it’s a pretty silly film, especially the end in which Thorwald goes a little crazy. The whole premise that Thorwald would kill his wife with the shades open and then continue to prance about his apartment packing up her belongings is far-fetched. So too is his reaction when Jeff lets him know that he is on to his scheme. Thorwald’s behavior is so unbelievable that it borders on ridiculous.

On the other hand, Jimmy Stewart does a nice job as Jeff. His character has the best lines (along with the sharp-witted nurse). On top of that, any film with the gorgeous Grace Kelly is worth watching. Still, Jeff doesn’t seem to want to marry Grace so he’s really not that bright after all.

Next Up: A Streetcar Named Desire

AFI #55: North by Northwest

Few would argue that Alfred Hitchcock is the best director never to win an Academy Award. Why he never received the Oscar is beyond me, perhaps it was because he was British, or because he dealt almost exclusively in the much maligned suspense genre, or maybe it was because he had so much success in television. Regardless, one can’t argue with his importance to the motion picture business and if he was ever going to win an Oscar in my opinion it should have been for North by Northwest.

North by Northwest has it all — suspense, intrigue, great characters, witty and smart dialogue and that wonderful Hitchcock style. I may of course be biased since Cary Grant is one of my favorite actors, but he is superb in this film as an advertising man who is mistaken for a spy and ends up on the adventure of a lifetime. The Shakespearian plot even ends with a marriage as it were between the leading man and the leading lady, an absolutely stunning Eva Maria Saint.

Hitchcock has given us so many iconic moments and there are two in this film — the scene in which Grant is being chased down by a crop duster and of course the climactic chase scene on the face of Mount Rushmore. Grant is ever so smooth even as a “bumbling” ad man who stumbles into danger. And of course he gets the girl, even though he’s 20 years her senior at the time of the shooting. Only in the movies would a 55 year old man marry a 35 year old woman (who oh by the way was playing a 20-something woman in the film). But I suppose he is quite debonair and it was the late 50s after all. Grant made four films with Hitchcock, including my favorite Hitchock film To Catch a Thief. All told Hitchcock made close to 60 films including some of the greats like Psycho, Vertigo, Rear Window, The Birds, Strangers on a Train, Dial M for Murder and so many more. Four of his films made the AFI Top 100 list including two in the top 15 in Vertigo and Psycho. He was nominated for a Best Director Oscar six times but he never won, although Rebecca won Best Picture in 1940 (yet didn’t make the AFI Top 100).

What’s your favorite Hitchcock film?

Next: M*A*S*H